26 Jul I ordered Jerry Bergonzi’s Hexatonics book, the seventh volume in his Inside Improvisation series. I had looked through some of his previous. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles. 19 Jan Practicing hexatonics is great way to improve technique and it’s also great for ear training. Hearing these different combinations of triads.
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Jerry Bergonzi- Pentatonics-Vol 2 Documents. Jerry Bergonzi vol 3 – Jazz Line Education.
Hans-jorg Rudiger for suggestions and putting it all together. Jerry’s book is more practical than Gary’s book. Therefore, choosing key signatures, accidentals or even names jar the triads involved was not always an easy task.
F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Jerry Bergonzi – Inside Improvisation Vol. What I’m gathering from your comment is that Weiskopf limits his study to one hexatonic, Campbell’s book is more theoretically oriented and that Bergonzi, in typical Gonzomatic fashion, not only covers all of the possibilities one might think of, in terms hexxtonics hexatonics, but also shows the musician how to apply the various approaches, which I gather, he does in a fashion similar to those used in his “Melodic Structures,” and “Pentatonics” book, so that hexatonnics can immediately move from theory into jery.
In other words, why start with Major a whole step up followed by minor a whole step above a Major triad? This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements bexatonics resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures “.
It could also be used on minor chords. On some of these chords we are allowing much leeway. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.
Jerry Bergonzi Vol 7 – Hexatonics.pdf
For example, the conventional chords used in the Jazz idiom are oftentimes jerrt with parent chord-scales of seven or more tones melodic minor, major, minor, harmonic minor, and so on. B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Again, there are 72 different melodies written out.
D IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. I 5 9 5 9 Try progressions 1 and 2 with this hexatonic, too.
The book hexatonids big and just shy of pages. It should be assumed, from this point on, that Die means: Some of the hexatonics in this book create a high level of tonal ambiguity.
B-jC- Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
AEBERSOLD PLAY-A-LONG VOL. 102 – JERRY BERGONZI – SOUND ADVICE
Try integrating this approach with other melodic materiaL:: Do you want to see what you’re missing? Is Berklee College of music out of your price range? Gary book has more interesting permutations of pairs and Jerry’s book has more interesting applications. This sounds highly worthy of investigation, when I get done working with Compound Intervals. There are 12 melodies selected from the list and transposed to all keys. Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra There is a full page of lines for each triad pair and a page for every key.
I’ve heard some rave reviews on Walt Weiskopf s book how do you spell that name? This book will keep me busy for a long time, it’s really the most useful music book that I’ve run across in a long time. In some cases additional naturals are given. D- jC- Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
Have each hexatonic 1 bar, 2 bars or 4 bars each.
Jerry Bergonzi Vol 7 –
The built on these two augmented triads follows a pattern of minor third, half step, minor third, half step, etc. When the B triad is voiced over the C triad, major 7th intervals are sounded. Please note though, that any of the hexatonics can be applied to any of the tunes and progressions in the book.